Haworth never looks more beautiful than when it’s under a coating of snow, with the white expanse of moorland stretching away beyond it in rises and falls – as shown in the picture at the head of this post, which is thanks to the wonderful Haworth shop Hathaways. As snow is general all over England today (to borrow a line from James Joyce) I thought we should look at the Brontë’s attitudes to snow in their lives and writing.
The freezing temperatures that Haworth has in December must have been even more fierce for Anne Brontë and her sisters, without any form of automated heating and without the thick layers of clothing that we take for granted today. The best they could do would be to pull another shawl around their shoulders, and place metal pattens over their shoes to protect against the damp and ice.
As anyone who has visited knows, Haworth Main Street is very steep, as are many of the streets running off it, so it can be especially treacherous in winter. It is for this reason that the road is cobbled, giving extra traction to human boots and horse hooves.
Tabby Ayckroyd, the loyal and much loved servant of the Brontës, found out how dangerous it could be in the winter of 1836 when she slipped on ice and sustained a broken leg. This caused pain and discomfort for Tabby for the rest of her life, and Patrick Brontë and Aunt Branwell suggested that it would be better for her to leave their employ to be looked after by her sister Susannah. The Brontë sisters, however, would hear none of this and threatened to go on hunger strike unless Tabby was allowed to stay – they won the day, but as Tabby was no longer able to carry out all her previous tasks it marked the start of Emily’s years as Haworth Parsonage’s very own domestic goddess.
Snow would not have stopped Emily walking upon the moors she loved, though it may have prevented Anne from accompanying her as she liked to do. Worse even than the snow were the cold winter winds that blew, rattling window panes and creeping under doors. They often brought ill health with them, as Anne Brontë revealed in an 1848 letter to Ellen Nussey:
‘We are all cut up by this cruel east wind, most of us i.e. Charlotte, Emily, and I have had the influenza or a bad cold instead, twice over within the space of a few weeks; Papa has had it once, Tabby has hitherto escaped it altogether.’
Snow features in all the sisters’ books, but it is almost a character itself in Emily Brontë’s Wuthering Heights – gone is the white purity normally associated with snow; it is instead dark, blinding, incredibly dangerous – snow is in effect nature’s Heathcliff.
We see Lockwood losing his way in an incredible snow storm, and of course we see Cathy’s ghost appear surrounded by snow as well, snow that Heathcliff is oblivious to in his state of anguish:
‘“Come in! Come in!” he sobbed. “Cathy, do come. Oh do – once more! Oh! My heart’s darling! Hear me this time, Catherine, at last!” The spectre showed a spectre’s ordinary caprice; it gave no sign of being; but the snow and wind whirled wildly through, even reaching my station, and blowing out the light.’
Heathcliff is often seen covered in snow, but it does little to hide his true nature:
‘His hair and clothes were whitened with snow, and his sharp cannibal teeth, revealed by cold and wrath, gleamed through the dark.’
Snow is also found in Anne Brontë’s debut novel Agnes Grey, but once again it is a troubling presence as Agnes has to chase the wicked Bloomfield children through it:
‘All three escaped me, and ran out of the house into the garden, where they plunged about in the snow, shouting and screaming in exultant glee. What must I do? If I followed them, I should probably be unable to capture one, and only drive them farther away, if I did not, how was I to get them in? And what would their parents think of me, if they saw or heard their children rioting, hatless, bonnetless, gloveless, and bootless, in the deep, soft, snow?’
Much of Agnes Grey is based upon Anne’s own experiences as a governess, and we can surely see hear a reflection of a real life dilemma Anne experienced when in charge of the unruly Ingham children of Blake Hall in Mirfield.
Snow features heavily in Charlotte Brontë’s Jane Eyre too, and once again it signifies danger or despair, as when Jane returns to her room after the terrible truth of Rochester and Bertha has been revealed on what should have been her wedding day:
‘A Christmas frost had come at midsummer: a white December storm had whirled over June; on hayfield and corn-field lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and fragrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway.’
Snow is also used as a metaphor in Charlotte’s final finished novel Villette, as it is used in the surname of the heroine Lucy Snowe. We know that in original drafts she was called Lucy Frost, but both surnames sum up the cold hearted despair that Charlotte herself felt when rejected by Constantin Heger in Belgium, the real life catalyst for her brilliant novel.
If you’re going out today wrap up warm – and don’t forget your winter bonnet and pattens!
2 thoughts on “Snow in the Lives and Works of the Brontës”
Thank you so much for writing this. I am in the midst of writing about white matter and thought and Wuthering Heights in the snow came to mind. Your piece really helped my clarify my thinking.
Thank you Susan, it’s a pleasure.