A lot of the information that we have on Anne Brontë and her sisters comes from the primary sources of their writing and from the many letters of Charlotte Brontë, but there is another woman we have to be extremely grateful to – Ellen Nussey. Ellen met Charlotte when they were pupils at Roe Head School and became her lifelong friend; through her frequent visits to the Brontë Parsonage in Haworth she also became friends with Anne and Emily Brontë. Her recollections of the sisters and their lives were central to Elizabeth Gaskell’s brilliant biography of Charlotte, and Ellen’s writing legacy proved invaluable to me when I was writing In Search Of Anne Brontë as well.
Ellen Nussey was born on April 20th 1817 in the village of Birstall, in the wool processing area of Yorkshire’s West Riding. Her parents John and Ellen were quite wealthy, as John was a cloth merchant – then a booming trade.
She first met Charlotte Brontë in January 1831 at Roe Head in Mirfield, forming a great trio of friends along with Mary Taylor of Gomersal, a village adjacent to Ellen’s Birstall. Charlotte’s time as a pupil lasted a year, but her correspondence with Ellen would last a lifetime, and shows the deep love and affection that Charlotte had for Ellen. Charlotte often talks of how pretty Ellen is, and how perfect she is in character, a perfection that she herself feels she can never attain:
‘Don’t deceive yourself by imagining that I have a real bit of goodness about me. My darling if I were like you I should have my face Zion-ward though prejudice and mist might occasionally fling a mist over the glorious vision before me, for with all your single-hearted sincerity you have your faults. But I am not like you. If you knew my thoughts, the dreams that absorb me, and the fiery imagination that at times eats me up and makes me feel Society, as it is, wretchedly insipid, you would pity and I dare say despise me.’
Thanks to Ellen we have the description of Haworth Parsonage at a time when the sisters were teenagers in 1833 (very neat, regimented, and a little bare), of their garden (sparse but for a few blackcurrant bushes), and of Anne and Emily:
‘Emily had by this time acquired a lithesome, graceful figure. She was the tallest person in the house, except her father. Her hair, which was naturally as beautiful as Charlotte’s, was in the same unbecoming tight curl and frizz, and there was the same want of complexion. She had very beautiful eyes, kind, kindling, liquid eyes; but she did not often look at you: she was too reserved. She talked very little. She and Anne were like twins – inseparable companions, and in the very closest sympathy, which never had any interruption.
Anne, dear, gentle Anne, was quite different in appearance from the others. She was her aunt’s favourite. Her hair was a very pretty, light brown, and fell on her neck in graceful curls. She had lovely violet-blue eyes, fine pencilled eyebrows, and clear, almost transparent complexion.’
It is from this same period that we get Charlotte Brontë’s sketch of the young Ellen – a charming and pretty picture, but for the long neck that Charlotte seemed to add to everyone she drew.
Perhaps the biggest testament to Ellen’s character is that Anne and Emily both became firm friends with her, an honour afforded to very few people – especially in Emily’s case.
We have letters to Ellen not only from Charlotte, but from Anne and Emily too (although Emily’s letter is a short missive bemoaning the fact that she is a poor letter writer, and advising Ellen to wait for a better letter from Anne).
Ellen Nussey shared a lot in common with the Brontë sisters, not only a love of books and reading. She too had lost a parent when she was young, although in Ellen’s case it was a father rather than a mother. She could also be sympathetic and understanding when it came to Branwell, as she also had a brother who was a raging alcoholic. The Nusseys were a large family, Ellen was the twelfth child, and it was a tragedy they had to bear that three of Ellen’s brothers took their own life – including Henry Nussey who in 1839 proposed to Charlotte and was rejected. Henry became vicar of Hathersage, and Charlotte’s visits to the Derbyshire village to see Ellen there would provide background material for Jane Eyre.
Ellen’s closeness to the Brontes has caused particular confusion in one aspect in that a photograph once thought to be of Charlotte Brontë is in fact undoubtedly of Ellen herself. Until recently it was used as the main picture on Charlotte Bronte’s Wikipedia page, but by comparing it to known and verified pictures of Ellen we can see that it is the same woman. It is reproduced below with the picture once thought to be Charlotte on the left, and a picture of Ellen in later life on the left.
Ellen’s great kindness was shown throughout her correspondence with the Brontë sisters, as she often sent them gifts, from bonnets to medicinal crab cheese when Anne was ill. She was a visitor to Haworth on many occasions, and was there on the fateful day of January 5th 1849 when Dr. Teale of Leeds made his diagnosis of incurable consumption in Anne Brontë. Ellen described it thus:
‘Anne was looking sweetly pretty and flushed, and in capital spirits for an invalid. While consultations were going on in Mr Brontë’s study, Anne was very lively in conversation, walking around the room supported by me. Mr Brontë joined us after Mr Teale’s departure and, seating himself on the couch, he drew Anne towards him and said, ‘My dear little Anne.’ That was all – but it was understood.’
She also accompanied Anne on her final journey to Scarborough after Anne had sent a plaintive final letter to Ellen asking her to come:
‘I know, and every body knows that you would be as kind and helpful as any one could possibly be, and I hope I should not be very troublesome. It would be as a companion not as a nurse that I should wish for your company, otherwise I should not venture to ask it.’
It is Ellen’s detailed eyewitness account of Anne’s final days in York and Scarborough that provides much more information about Anne’s final days than modern day research ever can – Ellen after all knew Anne and the Brontës far better than we can ever hope to.
Ellen Nussey was a kind, generous and intelligent woman who brought moments of light and happiness into the lives of all three Brontë sisters – for which we should be very thankful. She was the daily correspondent, the sender of ribbons, the giver of gifts, the visitor when ill, the crutch when walking, the organiser of funerals. She was in every sense a true friend, but the story of how Ellen preserved the Brontë legacy after their deaths, sometimes against the odds and against the express wishes of others, is just as important, and we’ll take a look at it in next weeks Anne Brontë blog.
2 thoughts on “Ellen Nussey: Great Friend Of The Brontës”
Indeed and the photo that was discovered in the 80’s is Ellen too…sadly. If one sees a lighter print, that same side ringlett is there as well. She wrote that though out her life, and just a plain bun at the end
“In person Ellen Nussey was not striking, but she was sprightly, attractive coquettish, no doubt, in her younger days and intelligent; her manners charming; every word and gesture bearing emphatically the stamp of truth; while her voice, mellowed and modulated to a peculiarly gentle cadence, was exceedingly pleasant to hear. I have often sat beside her, and heard with unfeigned interest her sparkling talk about the Bronte family; have heard her relate incidents and anecdotes in the lives of the sisters, which seemed to me better than any information to be gathered from books. Miss Nussey told me that she considered Branwell, the brother, the cleverest, and most talented of the whole family, and, but for his misused powers, he could, had he chosen, have outstripped his sisters in literature. Many of the incidents which she related go far to prove that Charlotte Bronte was keenly alive to humor, her life, she was at all times open to, and rejoiced in, its gaiety and sunshine. That Ellen Nussey is the prototype of ‘Caroline Helstone’ in Shirley cannot for a moment be doubted. It may be remembered that in one part of the book Caroline was described as wearing a brown dress with a pink bow. When I inquired of Miss Nussey if this also was taken from herself, she said that she was wearing that particular kind of attire at the time Shirley was written. It is to Ellen Nussey that the public is, and will ever be, indebted for authentic information with regard to the Bronte family. But for her, no history of these remarkable people could have gone forth to the world in a truthful and reliable form.” The Bookman, Volume VI, September, 1897-February, 1898