When the Bell brothers published their book of poetry ‘Poems by Currer, Ellis and Acton Bell‘ in 1846 it seemed to be an act of little significance, reportedly selling just two copies (although one of this duo of readers was so impressed that he wrote to the publisher, Aylott & Jones, for the Bell’s autographs). Of course, we know now this was an act of incredible significance as it was actually the first book to reach print by the Brontë sisters.
All of the Brontë sisters were shy, to a lesser or greater degree, possibly as a result of the relative seclusion they were brought up in after the death of their mother Maria, thriving in their own company rather than in that of others. Emily Brontë above all prized anonymity and secrecy, so it is likely to be she rather than her sisters who pressed for the use of pseudonyms when presenting their work.
Charlotte, in the biographical notices of her sisters she composed after their death, explained why they had used ostensibly male names:
‘ We did not like to declare ourselves women, because we had a vague impression that authoresses are liable to be looked on with prejudice’.
This is a sentiment that was echoed by Anne Brontë in her preface to the second edition of The Tenant Of Wildfell Hall:
‘All novels are or should be written for both men and women to read, and I am at a loss to conceive how a man should permit himself to write anything that would be really disgraceful to a woman, or why a woman should be censured for writing anything that would be proper and becoming for a man.’
So we know why the sisters chose to hide behind the mask of the Bells, but just why did they choose the names Currer, Ellis and Acton Bell? Firstly, it allowed them to retain their initials: Currer Bell was Charlotte Brontë, Ellis Bell was Emily Brontë, and Acton Bell was Anne Brontë.
The surname Bell could have been chosen simply because of the sound of the bells from their father’s St. Michael’s and All Angels church, a short stroll from the Parsonage in which they lived. It’s a sound they would have often heard – so could it be that they heard the bells peeling as they tried to conjure up a nom de plume for themselves?
Another option is that they may have borrowed part of the name of their father’s new assistant curate – Arthur Bell Nicholls. He arrived in Haworth in May 1845, not long before the sisters began to send their poems to prospective publishers. At the time they could not have guessed the importance that Arthur would have to their lives – he would become dog walker to Flossy and Keeper after the death of Anne and Emily, and he was later to marry Charlotte Brontë.
Winifred Gerin, the brilliant biographer of the Brontës in the sixties and seventies, suggested the origins of two of the pen names.
Charlotte Brontë was for a short while a governess to the Sidgwick family of Stone Gappe at Lothersdale, North Yorkshire. The neighbouring property of Eshton Hall, a huge mansion near Skipton, belonged to a Miss Frances Mary Richardson Currer. She was famed for her large library, similar to the one Charlotte was familiar with at Ponden Hall near Haworth. Could it be that Frances Currer’s learning impressed Charlotte so much that she later adopted her name?
Acton Bell may have taken ‘his’ name from Eliza Acton. Largely forgotten now, she was a cookery writer and more importantly a poetess of note in the early to mid nineteenth century, and likely to have been read by Anne in the magazines that the sisters enjoyed, passed on from their father.
Winifred Gerin is, however, unable to suggest an origin for Ellis Bell, but I believe I have an answer. Emily and Anne Brontë were incredibly close and loving sisters, and Emily was always longing to hear of Anne’s adventures as a governess. She would have known all about Mary Ingham, Anne’s employer at Blake Hall of Mirfield, recreated so searingly in Agnes Grey, and she would also have heard of Mary Ingham’s exalted father: Ellis Cunliffe Lister. Ellis was the member of Parliament for Bradford, in effect the Brontës’ parliamentary representative.
So there we have the inspirations, possibly or even probably, of Currer, Ellis and Acton Bell – three very different people yet all represented in the Brontës works – the solitary yet scholarly woman, the man of power, the female poet.
I want to finish today’s post by saying a huge thank you for all your support as I continue to relaunch and restock this Anne Brontë website and blog. Many of my original posts are now available again, but I still have many dozens more to add so they will be going on over the next week or so. Every Sunday will see a completely new post added, like this one, so I hope you continue to enjoy them.
Last week I offered two free copies of my Anne Brontë biography, In Search Of Anne Brontë, to two people picked at random who emailed me at email@example.com. I’ve been overwhelmed by the response, but I will be selecting the two winners at the end of today, so if you’ve not yet entered simply drop me a line today (Sunday 26th March) and say that you want to be entered into the draw. I’ll contact the winners on Monday and announce their names next week.